Reggie Jackson — 1995 Upper Deck Autographs #AC1
A signature-focused Reggie Jackson card in a labeled Beckett holder.
Submit your BidView card & details →The number 8 jersey. Purple and gold. A rookie-era image that belongs at the heart of a Kobe collection. Explore the front and back of this photographed card.
Submit your BidExplore the featured Kobe card ↗Original photographs · Condition and authenticity subject to verification. Feature dates are not an auction deadline.
A signature-focused Reggie Jackson card in a labeled Beckett holder.
Submit your BidView card & details →Randy Johnson in Expos colors: an early-career portrait for a baseball collection.
Submit your BidView card & details →Frank Thomas in a White Sox portrait, with Score’s first-round-pick design.
Submit your BidView card & details →From a familiar album sleeve to a coin held for years. Explore the latest photographs, with each piece’s views kept together.
A click-wheel iPod with a fitted carrying case.
The photographs show the player with its protective case and the familiar circular control layout. A personal-music collection can begin with the object you remember carrying every day; these views document both the device and its companion case.
Device and case views. Exact model and operation require confirmation.
The compact iPod shuffle, presented in bright green Apple packaging.
The green package frames the small white player and its simple controls. Front, side and back photographs let you examine the retail presentation, printed wording and visible packaging condition.
Wearable music accessories from the iPod nano collection.
Several lanyard-headphone packages appear together, showing the white cable arrangement against dark backing. The photographs document the group from repeated angles; discuss a specific package and compatibility before making an offer.
Several packages pictured together; quantity is not inferred from repeated photographs.
An iPod retail presentation in a clear case.
The clear enclosure reveals the dark player presentation, while the side and reverse provide additional identification views. These images are useful for comparing the package shape, visible markings and storage wear.
Model identification pending label review.
The familiar iPhone 3G retail box, shown from several sides.
The black packaging and early app-icon artwork capture a recognizable chapter of the iPhone collection. Adjacent views include the front, side and reverse so an interested buyer can inspect the printed details and visible wear.
iPhone 3GS packaging with front, side and label photographs.
The dark box places the original phone artwork at the center of the presentation. Side and label views accompany it, allowing closer inspection of the photographed configuration and the scuffs and edges visible in the originals.
White iPod classic packaging with the click-wheel artwork.
The front image presents the classic iPod silhouette, followed by side and reverse photographs. This group is about the physical presentation pictured; the full label should be used to confirm the precise configuration and revision.
Lennon artwork on an iPod touch box, with its adjacent reverse view.
Music imagery takes center stage on this dark iPod touch package. The front and following reverse photograph form this review group. The artwork is packaging design, and does not by itself establish a Lennon special edition or a limited production run.
Adjacent front and back views. Separate photo groups preserve the photographed sequence; unit identity and capacity must be checked before sale.
A second photographed iPod touch package with Lennon artwork.
This pair preserves the next front-and-back sequence in the collection. Compare its label and visible wrapping with the other iPod touch groups when selecting a particular unit; repeated artwork alone cannot establish identical capacity or condition.
Adjacent front and back views. Separate photo groups preserve the photographed sequence; unit identity and capacity must be checked before sale.
A third iPod touch photo pair featuring Lennon packaging artwork.
The dark retail design places the music artwork on the pictured screen. Its immediately following reverse is kept alongside it for review. A buyer can request a label close-up to confirm this group’s exact configuration and identity.
Adjacent front and back views. Separate photo groups preserve the photographed sequence; unit identity and capacity must be checked before sale.
White Apple Watch packaging with a watch-face illustration.
The front and reverse of this watch package are shown as a separate group from the longer Watch Sport box later in the sequence. The label is the starting point for confirming the generation, case size and included band.
Exact model pending label review.
Dark iPod nano packaging photographed from multiple sides.
The compact player artwork and iPod nano wording are visible across the package views. The label photograph offers another detail for an interested collector to examine before the exact configuration is agreed.
iPad mini packaging, including front, side and reverse views.
The white box shows the slim tablet profile and the iPad mini name. Repeated views give another look at the presentation and label area without implying multiple units for sale.
Apple TV packaging with its colorful television presentation.
The front artwork and feature information on the reverse document this Apple TV box. It makes a visual companion to the portable Apple products in the collection, with contents and exact configuration still to be confirmed.
An iPad box shown from the back and illustrated front.
The sequence records the label side followed by the recognizable tablet artwork. These views help connect the retail presentation to its identifying information; ask for a close label photograph if a particular configuration matters to your collection.
The long white Apple Watch Sport box, with identification views.
Minimal white packaging and the Watch Sport label distinguish this photo group. Several adjacent sides are retained to document the retail presentation and help establish the exact configuration before an agreed sale.
Spartacus on DVD, with front and back packaging views.
The illustrated front cover and information on the reverse are shown together. For a film collector, the artwork is part of the appeal; edition details, region compatibility and disc contents need confirmation from the package and seller.
Rick Grimes Funko Pop! packaging from The Walking Dead.
The figure is pictured through the windowed box, with side and back views showing the character artwork and packaging. Collectors can inspect the box edges and display presentation in the original photographs.
Charizard amiibo in illustrated retail packaging.
The Charizard figure is visible inside the clear blister, with a reverse view of the packaging alongside it. The combination of character sculpture and printed artwork makes this a display-focused piece for a Pokémon or Nintendo collection.
Mewtwo amiibo photographed in its retail presentation.
The purple-toned figure is visible through clear packaging, with an additional view showing the Mewtwo name. Inspect the blister and card backing in the originals; a shop sticker shown in a photograph is not Heritage Circuit’s asking price.
A United States two-dollar note in a protective holder.
The face of this note is photographed separately from the later two-dollar groups. Its portrait, denomination and visible serial details can be examined in the full image. A matching reverse has not been established for this group.
Front view only in this group.
A United States five-dollar note, photographed face up.
The portrait and denomination are visible through its holder. The photograph records the note as presented, including reflections that may limit condition assessment. Request its reverse and a clear close-up of the series information for a fuller review.
Front view only in this group.
A Bank of England five-pound note with both sides pictured.
The adjacent images show the illustrated reverse and portrait side of this note. Together they allow a closer look at the design and visible markings, while the exact issue and physical condition should be confirmed from sharper details where needed.
A United States two-dollar note with an adjacent reverse photograph.
The portrait face is followed by the illustrated reverse in this sequence. Keeping the views together lets a collector inspect both sides while retaining the original photo references for any follow-up questions.
A Costa Rican 1,000-colones note, shown front and back.
The red-toned banknote is pictured from both sides, with Banco Central de Costa Rica wording visible. The portrait and reverse design offer a distinct addition to the paper-money selection; date and issue details remain subject to closer inspection.
A sequence of two-dollar note photographs awaiting individual matching.
These repeated fronts and a reverse are intentionally kept as one review group. Serial-number checks are needed to establish how many separate notes are represented and which reverse belongs to each. An offer should identify the specific note requested.
Repeated fronts and a reverse are retained together. Exact quantity and reverse-to-note pairing require serial-number review; these are not five separate listings.
Loose coins photographed in protective holders.
The photographs show different coin arrangements rather than a securely matched front-and-back pair. Individual denominations, dates and the number of coins offered need to be established before this group can be split into separate sale items.
Different coin views; individual identities and pairings remain unconfirmed.
A Lincoln steel-cents presentation with printed display information.
The presentation pairs coins with a printed backing and an explanatory reverse. The packaging describes the theme; each coin’s date, mint mark and composition need individual confirmation rather than being inferred from the display text.
Presentation label shown. Dates, composition and completeness require verification.
An American Silver Eagle labeled presentation with two coin views.
The coin is shown with its display labeling and in a second view. The larger imagery allows a collector to examine the design, but the presentation wording alone does not verify metal content, authenticity or grade.
Label and coin views shown; composition and authenticity are unverified.
A 1971 Silver Eisenhower dollar, presented in its red-lined case.
Identified by the owner as a 1971 Silver Eisenhower dollar, this piece is photographed in a red-lined presentation case. The coin and display make a distinct addition to the currency collection. Ask for close-up front, reverse and mint-mark photographs to inspect the exact issue and condition.
Year and silver identification supplied by the owner. Mint mark, finish, silver content and grade have not been independently verified.
An encapsulated coin photographed on a wooden surface.
This image is retained separately because its relationship to the preceding red case is uncertain. The visible coin design is available to inspect, with a reverse and identifying details needed for a complete description.
Kept separate from the preceding case because matching is uncertain.
A full state quarter collection in a Washington quarters album.
The owner identifies this album as a complete state quarter collection. The photographs show the album and populated pages, bringing the state designs together in one presentation. Additional page photographs can document every included coin before purchase.
Completeness confirmed by the owner. Exact inventory, mint coverage and condition should be documented before sale.
A Sacagawea dollars album with a photographed interior page.
The cover identifies the album theme, while the following photograph shows an interior page and its visible coins. Contents and completeness should be agreed explicitly, using an inventory of the occupied slots.
Album cover and page; contents require individual inventory.
A coin shown on both sides in a Treasury presentation sleeve.
The adjacent photographs retain the sleeve and blue presentation emblem alongside the coin. They offer two design views for comparison; the exact issue, date and composition require verification from the coin itself.
Adjacent coin views. Date, composition and authenticity unverified.
A Sony PSP handheld with front and back photographs.
Several views show the screen and controls, followed by the rear enclosure with PSP branding. Reflections are visible on the screen, so these photographs document appearance rather than demonstrate powered operation or display quality.
Several front views and a back view. Operation is untested.
A Michael Jordan card with SAMPLE wording on the reverse.
The action image on the front is paired with the following back photograph. The prominent SAMPLE text is an identifying feature to examine when researching this particular issue; it does not establish rarity or authenticity on its own.
SAMPLE text visible on reverse; no authentication claim.
The reverse of a Michael Jordan baseball card, with SP1 identification.
The photographed reverse identifies Michael Jordan, SP1 and Upper Deck. It is kept separately pending a final match to the following front photograph.
Likely paired with photo-3668; separate references retained pending matching.
Michael Jordan at bat in a White Sox uniform.
The front shows Michael Jordan in a red White Sox uniform with 1991 Upper Deck branding. The preceding SP1 reverse is a likely match, retained separately until confirmed.
No grade or authenticity established.
Yasiel Puig in a Dodgers action photograph, with a Bowman reverse.
The reverse identifies Yasiel Puig, Bowman, card number 1 and 2013 copyright wording. The front and back photographs are kept together for closer review.
Exact issue, condition and authenticity require verification.
A Lonzo Ball card in a purple-and-gold presentation.
The front shows Ball in Lakers colors, with its adjacent reverse retained for closer inspection. The printed design and back information are useful identifying details; holder reflections can obscure the surface and edges.
A Diggs card with a fabric window and signature-style marking.
The purple-themed front and its reverse are shown together. The insert and marking are visible features, but claims about game use, autograph authentication or a particular parallel require the exact printed documentation to be checked.
Patch and signature-style markings pictured; no authentication claim.
An illustrated Michael Jordan card with a matching back view.
The red-and-gold design presents Jordan in a Bulls uniform. The reverse follows in the photo sequence, offering another identifying view for a collector comparing artwork, wording and the issue’s printed details.
A Michael Jordan Fleer card photographed front and back.
The bordered action photograph and printed statistics reverse are kept together. The images invite a closer look at the design and condition, but photographs alone cannot establish authenticity, a professional grade or a verified printing.
No authenticity or grade established from photographs.
A Ray Allen card with its adjacent reverse view.
The action-focused design is followed by the printed back in this sequence. Both images are available for a closer look at the issue and visible condition before an offer is made.
Another Michael Jordan Fleer design, with front and back views.
This group is kept separate from the earlier Jordan Fleer card because the design differs. Its photographed front and reverse allow the two issues to be compared without treating them as duplicate pictures of one card.
Superman Special #3, with vivid 1985 cover artwork.
The cover displays DC Special, Superman, 1985 and No. 3. Its action artwork is shown in the original photograph. Interior completeness, printing and condition require additional inspection.
Cover identification visually checked; no comic grade established.
A Superman annual with its illustrated cover photographed.
The annual cover is shown as a separate comic from the preceding Superman issue. The original image records the cover presentation; page completeness, publication details and interior condition require additional views.
Kobe Bryant and Nicki Minaj on ESPN’s Music Issue cover.
The photographed cover features Kobe Bryant and Nicki Minaj, The Music Issue title and a Super Bowl XLVIII preview banner. The mailing label displays February 3, 2014. Two cover photographs document the same presentation; interior condition and completeness are unverified.
Repeated cover views do not establish multiple copies.
A John Lennon record sleeve with front and reverse views.
The dark sleeve artwork and track-information side are photographed together. For a music collector, the sleeve is part of the story; the actual disc, catalog number, pressing and playback condition still need inspection.
Front and back sleeve views; record contents and play condition unverified.
Barry Manilow’s This One’s for You sleeve and reverse artwork.
The portrait cover is followed by several photographs of the light-colored reverse design. The repeated views document one presentation group; disc contents and pressing details have not been established from sleeve photographs.
Michael Jackson’s Thriller sleeve, shown from both sides.
The familiar white-jacket portrait is followed by photographs of the reverse. Several views are retained for their differing reflections, but they do not establish multiple copies. Disc labels and runout information would be needed to identify the pressing.
Repeated front and back sleeve views; quantity is unconfirmed.
The Staple Singers’ Swing Low sleeve in repeated front views.
The portrait-led cover and title are visible in three photographs. These views focus on the sleeve; a reverse, disc-label photographs and playback notes would complete the information needed for an informed offer.
A Johnny Mathis record sleeve with portrait artwork.
This single cover photograph is retained as its own item group. The exact title, catalog number, disc contents and pressing should be confirmed from additional sleeve and label views rather than inferred from the portrait alone.
A Whitney Houston sleeve with front and reverse photographs.
Repeated portrait-cover images are followed by the blue-toned reverse. The photographs preserve the sleeve presentation and visible wear; the disc itself and its playing condition have not yet been documented.
A framed Worthy number 42 Lakers jersey display.
The yellow jersey is mounted with photographs and display materials beneath it, shown in three views. The frame is part of the presentation; dimensions, provenance and any signature documentation should be reviewed before an offer is finalized.
Framed jersey and accompanying display materials. Autograph and provenance unverified.
A framed Johnson number 32 Lakers jersey display.
The final photo returns to this same Johnson display after a separate baseball photograph. The matching jersey name, number and frame layout keep those views together. Signature status and provenance require documentation rather than inference from the display.
Final photograph returns to the Johnson display after the baseball photograph; grouped by visible product, not adjacency alone.
A framed baseball action photograph with a caption plaque.
The mounted photograph shows a pitcher in action and a plaque beneath the image. The player identity, plaque wording, dimensions and any signature documentation need close-up review; it is kept separate from the adjacent jersey displays.
Player and any signature or provenance require close review.